Perspective :: Essays Papers

Perspective Use of perspective in art finds its root in one man, Filippo Brunelleschi. Although we don’t know for sure, it is likely that Brunelleschi also invented linear, or scientific perspective. Donatello’s â€Å"The Feast of Herod† is the earliest surviving example of scientific perspective, which is established through the use of a â€Å"vanishing point†, an imaginary single point on the page in which all the parallel lines meet. Donatello’s Feast of Herod was a groundbreaking work by that day’s standards, and a complete failure in the fulfillment of compositional requirements of traditional classical or medieval standards. The focal point of the piece, the presentation of St. John’s head to Herod, is in the far left corner, and the crowd watching is clustered into the right corner. Upon examination of the action, however, Donatello’s intention is clear; by placing the people in this way, the gesture and emotion of the scene is more implicit and effective. It is also more clearly established that the scene does not end at the focal point, it in fact continues off into every direction, an impression more clearly made with his use of scientific perspective. This â€Å"window† view into the scene was a radical step, and would influence how the picture plane was to be seen from that point on. Another important milestone in the history of perspective is Pietro Perudino’s â€Å"The Delivery of the Keys†. Painted in 1482, this work employs a grave, symmetrical structure, a tool he used to emphasize the importance of the scene being represented: The authority of St. Peter as the first pope, and all of his successors, rests on his having received the keys to the Kingdom of Heaven from Christ himself. The onlookers are all rendered with powerfully individualized faces. Equally powerful is the vast expanse of the almost surreal background. The spatial clarity, established by the use of mathematically precise perspective, is the influence of Brunelleschi. Andrea Mantegna was another 15th century painter. He was a prodigy that rendered in paint with skill from the age of 16 on. With the painting â€Å"St. James Led to His Execution† Mantegna established himself as a person who wasn’t afraid to break with traditional painting techniques, and adds a daring touch by painting from a ground up view of the scene.

The Narrative

Jacques EpangueEnglish 101, 9M2 Professor Rolando JorifSpring 2013 The Narrative In â€Å"About Men†, by Gretel Ehrlich, the author describes cowboys like men who seem to have trouble communicating with and relating to women, yet cling to an â€Å"adolescent dependency† on women to take care of them. This trouble of communication with women can be perceived by others as a sign of weakness even a lack of virility. However, according to Ehrlich it may be because of historical and geographical factors.Cowboys who are mostly from the South kept that â€Å"chivalrousness and strict codes of honor† when the came to the Wyoming. This is why men would show a stand-offish and respectful attitude vis-a-vis the women. Also, due to the geographical vastness of the North, cowboys often work where there is no human beings or women. He is physically and socially isolated which â€Å"make emotional evolution seem impossible†. Therefore, if it happened that he feels someth ing for a woman, he would have trouble communicating because he is not use to the code of seduction that average people know.And yet, â€Å"dancing wildly all night becomes a metaphor for the explosive emotions pent up inside, and when these are, on occasion, released, they're so battery-charged and potent that one caress of the face of one â€Å"I love you† will peal for a long while. † The attempt of the author to explain why the American cowboy tends to be rather reserved when it comes to seduce a woman squares well with her painting of his personality.Keep in mind that the purpose of her writing is to â€Å"reveal the complex nature of the American cowboy†, so she tries to show how the stereotype of the cowboy does not reflect the reality. This man who is â€Å"usually thought of as a rugged and tough† individual, is not only full of manliness, but has his own kind of femininity reflected in his altruism, but also in his relationship with women, chara cterized by what the author names â€Å"Those contradictions of the heart between respectability, logic and convention on the one hand, and impulse, passion, and intuition on the other†.In fact the author stands that cowboys are vulnerable too, and according to her and Ted Hoagland â€Å"No one is as fragile as a woman but no one is as fragile as a man. † The stereotype of the manly and macho cowboy is subject of uncertainly since we read Gretel Ehrlich. According to her, the image of American cowboy paints by media does not match the reality.Base on her own experience in the Wyoming she describes the American cowboy as a man with a complex nature, a combination of masculinity and femininity. The American cowboy is certainly â€Å"strong and silent†, or a â€Å"rugged individualist†, but not in the perverted way the media tend to show us. And if he looks evasive with women it is not because he is tough, but because he is missing the code of seduction, â⠂¬Å"the vocabulary to express the complexity of what they feel. â€Å"

Binge Eating in Non-Western Cultures - 1038 Words

Literature regarding eating disorders in non-Western cultures in general is scarce. Very few studies address disordered eating in cultures outside of the Western and Westernized world. This could be because of the perceived lack of eating disorders in non-industrialized countries or even because there is an overwhelming amount of concern over eating disorders in Western society. However, there have been several studies done on binge eating and dietary restraint in non-western citizens and in non-Caucasian women in the United States. Women who are not from a Caucasian background face different societal and traditional pressures than do Caucasian women in Western cultures, but some of the women in those cultures were found to have binge†¦show more content†¦A major way in which they express this negative self-perception is to restrain their diets or binge-eat (Eating Disorders Review, 2007, 5). Many cultures idealize robust women and practice feasting as a common social pr actice. However, women feel pressured by the stick-thin images they see on Western-influenced television advertisements to lose weight or look more conventionally attractive by Western standards. They feel torn between participating in their traditional custom and looking like the women they see idealized in the media. They feel guilt and embarrassment about overeating but participate in it as part of the cultural norm. (Becker, 2003, 430) Women who feel shame about eating are also less likely to seek help for their eating disorders, and this shame has been found to be more prevalent in women from non-Western ethnicities living in the Western world. Women from different ethnicities experience guilt and a fear of losing control while eating at different levels. Asian and Native American women are the most likely to feel embarrassed about overeating or losing control while eating (Eating Disorders Review, 2007, 5). They are therefore the least likely to seek help for their binge-eating disorders. Healthcare providers should take ethnicity into account when determining causal factors of binge-eating in women from Asian and Native American cultures because they are moreShow MoreRelatedGeneral Education Requirement For Psch 2701410 Words   |  6 PagesDisorder: Social Anxiety Disorder Because: Some behaviors that are allowed in Western culture might be inappropriate in Eastern culture. Therefore, clinical psychologist s should be aware of different sociocultural factors when diagnosing the abnormality of one’s behavior because, for instance, inability to expressing thoughts and feelings might not be solely because of anxiety, and certain behaviors might be common in other culture. b. 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